Wednesday, May 13, 2015

Final Exam

Part 1: What I've Done

St. Ann St. f 8 1/250 sec

My favorite part of this photograph is the vibrant color in the bricks, sky, and flowers. You can also see the colorization in the railings surrounding the building. I love this because of the angle and composition of this photo. It was a photo I took quickly, set up f-stop and shutter speed well, and encompassed what I wanted to show. It showed myself how much I had grown as a photographer throughout the semester. It may not show in the picture significantly, but I saw it in my actions.
The Candle Man f 4.5 1.6 sec

This was a photograph from the first project, and after seeing it I thought, "wow this is serious quality". It may be my favorite picture I have taken for this class to date. I love the harsh lighting and the detail of the shadow and the rust showing on the can that makes it special. The angle it was taken at, with the blurred background of the workshop creates a nice affect in the photo.
Dawn Before the Dark f 5.6 1/125 sec

I was extremely proud in the capturing (again) of lighting and detail within this picture. I wanted to capture a warmth, which I think I found successfully. This point was a turning point for me because I took this picture from many angles, and I worked with the shutter and f-stop more than ever before. I think I took twenty shots to get this one, but it was worth it. I finally found the patience needed for a great shot.
Let Some Light In Montage

I love this picture because it was random and is not perfect. This was taken from the "Beautiful Apocalypse" project and was taken sort of at random, not an extremely well thought out or seriously focused shot. I love it because of that reason; for me, the photo does not have to be brilliant or perfectly thought out to be beautiful. I loved in this the lighting and the color in the sky in contrast of the dark, dirty window, and the dark dying tree. It was light in the doom, which seemed very interesting to me.



Part 2: What I Think

1. "In the preface to the second edition (1843) of The Essence of Christianity, Feuerbach observes about 'our era' that it 'prefers the image to the thing, the copy to the original, the representation to the reality, appearance to being'. For the images that have virtually unlimited authority in a modern society are mainly photographic images..."


       Photography surrounds us in our everyday lives, whether or not we see it consciously. We see it on everything from the background to our computers, phone, iPads, and other devices, to the photos in our books, to photos on the wall. We may not construed all of it as photography. Either way we look at it though, the photography moves our lives in one way or another, whether it be consciously or subconsciously. In some situations, photograpghy is perferred to the real thing, but in some situations the beauty of the actual thing is more interesting than a picture, just becasue the photo can not grasp the detail of beauty within the simplicity. Art is a questionable subject, but it is beautiful all the same.
       With photography being almost everywhere we look, it is hard not to be influenced by it, even if we do not always see it. In the sense of a faith point of view, it is hard to keep morally intact when looking at nine out of ten photos we are incountered with. Most photographs that we realize we are seeing are within ads, and many of those ads are extremely sexual. Not in a beautiful form of sexuality that we could see in art, but in an extremely fake, vulgar sense of the word. We perfer the images we see to the real life being of a human. In that same sense, it is not hard to see why people turn to pornography, tainting their views on what used to be harmless art. It is just as easy, though, for photography to enhance faith rather than hinder it. I have a friend who went through an extremely hard time for a few years, and the only thing that brought him out of it was photography. He said he found God in nature, and in turn he found that beauty of nature within photography. It grounded him, as the simple beauty can to so many others.
       While it is easy to see photography as just mindless pictures, the essence of an image truly does affect the mind in some way. Whether it be for the worse, hurting a faith and morality in the sense of sexuality, or it be for the better, simplifying a mind and setting it closer to God and faith. Subconsciously, if it is seen or not, these photographs have some affect on the mentality of a person. In the end, the photograph may be seen as better than the actual thing, which can taint our mind and our mentality of our society as a whole in the end. It is up to the people to distinguish the reality form the imaginary, as the photograph could be biased in some way or another.

       
3. "What is written about a person or an event is frankly an interpretation, as are handmade visual statements, like paintings and drawings. Photographed images do not seem to be statements about the world so much as pieces of it, miniatures of reality that anyone can make or acquire."


       Photographs are the interpretations of a real subject by an artist, just as is writing, paintings or drawings. Photographs, just like everything else could be biased, and almost fake in a sense. We learned within this class to edit, crop, sharpen, and color correct pictures, and we were able to emphasize whatever we so desired in the picture. In the same way, photographs in ads are photo shopped to be perfect beyond compare. They are solely interpretations of what the artist sees.
       Drawings, painting, and writing are very similar in that aspect. They are all visual interpretations, whether through cropping and editing or through freehand and drawing,  of what the artist depicts in their life. Photography, though, is still more realistic than drawings or paintings. Photography is up to interpretation to a point, as the photo is still an image of the actual item. Drawings and paintings can be endlessly interpreted by artists that are creating them. It is all up to the artist whereas photography is not always.
       Due to these interpretations, photographs, just as any art, are interpretations of something, because it is all that the artist wants you to see. They have the ability to block your view of something that is happening to or for that artist. All art is an expressions of something else, and that is the beauty of it in the end.


Part 3: What I'll Do

1. I take photographs because I love having the ability to capture a moment for a lifetime. It is cliche, but I believe a picture is worth a thousand words, and I being an avid reader, I feel I could capture an entire story in one picture if I tried hard enough. It can be simple or extravagant, but it is always beautiful and emotional, and I love being a part of that.

2. I have found a way to care more about what I am doing. While in the past I took pictures and just did not care about what went into it (I just snapped a shot and hoped for the best), I have now sharpened the skill to make the picture really count. It matters more to me now what the end product did than it ever has before.

3. I need to sharpen the skill to find the right angle and lighting (f-stop too). I seem to have the idea of what I want to accomplish in my head, I can just never get it right. I am my biggest critic, but I think it is really just because I still have not put enough time and patience into the skill.

4. Everything is a photograph now. When I was in New Orleans, I saw how each angle and detail of every building I saw could be a photograph and I figured out how to try that. It was not just a building, it was all art. It is easier for me to find the shot, and I may not always take it, but it makes me value the scenery more than I ever did before.

5. 
When I was in New Orleans, taking pictures for my Student Choice Project, many people saw me with my camera. Seeing that I was not taking typical touristy pics, some local artists that would be set up in the area would ask me what I was doing. I never had tot tell them I was a high school student, I just had to tell them I was trying to get some photography, and that's all they needed. I felt like it was more than just a school project at that point, I felt like an actual artist at that point in time.

Thursday, April 30, 2015

Peer Review - Student Choice

My Favorites:
I enjoy this picture because  of the symmetry, color, and simplicity of the subject and composition.

This is a favorite of mine because of the composition, but also the eerie feeling I get from viewing this picture. It takes me back to the historic, haunted end of New Orleans, especially because this is of the cathedral in Jackson Square.

I am happy about the way this picture turned out mainly because of the color that pops in the sky, bricks, and flowers. This photo has an element of simplicity that makes it exquisite at the same time.

Class Favorites:
Mikayla Kusmits: I love the unorganized pattern of this photo. The simplicity of the black and white makes the photo classic. The piece in the center looks like a bridge, mending both the side of the wood, adding a story to this photo.

Garrett McCafferty: I love how at first glance, this just looks like your average picture of a river, but at closer inspection the water seems to be going upstream instead if downstream. The picture looks so beautiful and serene, it almost has a calming effect.

Jackson Miles: The detail captured in this picture astounds me. I love how you can see all the water droplets on the individual pieces of grass. The color is amazing and i love the slight rays of light that are visible around the picture.

Maria Sahlani: I love the smooth element to this picture. The face is extremely realistic, but at the same time, the picture looks almost like a painting, in a confusing way,  it looks so real but so unreal at the same exact time. I feel so calm and can not help but smile at the innocence captured in the photograph.

Morgan Stubbendieck: I love the colored element to this picture. The way the blurred sun is setting in the background, and the definition in the viewfinder thing (I don't know the name of this) is so defined. It really calms me and can make me feel being at the beach, and I love that about this photo.


Wednesday, April 22, 2015

Artist Report - Stephen Shore

1. Stephen Shore


2. October 8, 1947

3. Stephen Shore got involved with photography at a young age, teaching himself how to photograph. "My interest started following my love for chemistry. A forward-thinking uncle gave me a starter developing kit by Kodak for my sixth birthday and I fell in love with the process of developing and printing family snaps in my bathroom. Soon after I started spending time in a local dark room in New York, where I grew up." By the age of 14 Stephen Shore had sold three of his photographs to Edward Steichen at the Museum of Modern Art. At seventeen, Shore met Andy Warhol and began to frequent Warhol's studio, the Factory, photographing Warhol and the creative people that surrounded him. In 1971, at the age of 24, Shore became the second living photographer to have a solo exhibition at the Metropolitan Museum of ArtShore then embarked on a series of cross-country trips, making "on the road" photographs of American and Canadian landscapes. In 1972, he made the journey from Manhattan to Amarillo, Texas, that provoked his interest in color photography. Viewing the streets and towns he passed through, he conceived the idea to photograph them in color, first using 35 mm hand-held camera and then a 4x5" view camera before finally settling on the 8x10 format. Shore has been the director of the photography department at Bard College since 1982. Recently, Shore has been working in Israel, the West Bank, and Ukraine.


4. Vietnam War

Korean War
JFK is President
Sputnik launches
JFK Assassination
Apollo 11
US & Canada sign free trade agreement
Death of Osama Bin Laden
September 11, 2001
Israeli - Palestinian Conflict
Dessert Storm

5. Often the photographs Shore took were of ordinary people, places and events which he caught in a unique manner with his photographic eye. He traveled cross country, finding places among the Canadian and American lines to photograph. He soon came out with Uncommon Places, his 1982 book published in color, became a "bible" for photographers looking to print and photograph in color.


6.

Cumberland St., Charleston, South Carolina 1975


2nd St., Ashland, Wisconsin 1973
Church St. and 2nd St., Easton, Pennsylvania 1974 




El Paso St., El Paso, Texas 1975





7. I love Shore's work. I enjoy the color that pops in the photos, as well as the simple composition that seems so unique due to the colors and positions. I find it interesting how Shore captures every day buildings that has no interesting pieces to it, and makes them interesting just by the sheer moment he captures. The Uncommon Places pictures represent the true "small-town America" feel, which is both heartwarming and enlightening to me.



8.
Works Cited
Habert, Judith. "Stephen Shore Biography." AboutTech. Web. 21 Apr. 2015.
Stephen Shore (Getty Museum). 1995. The J. Paul Getty Museum, Los Angeles, California. The J. Paul Getty in Los Angeles. Web. 21 Apr. 2015.
"Stephen Shore Interview." Interview by Anna Stathaki. Wallpaper* Magazine. Wallpaper* Magazine, 26 July 2007. Web. 20 Apr. 2015. <http://www.wallpaper.com/art/Stephen-Shore-interview/1610>.
"Stephen Shore." Stephen Shore. Web. 20 Apr. 2015.

Monday, April 20, 2015

Student Choice - New Orleans, LA

This portfolio of images examines the architecture and beauty in the buildings of New Orleans. I looked to the photographer Stephen Shore for his work on the American city street, and although my composition may differ slightly from his, the idea of establishing the simple beauty in American cities is still there. My photographs attempt to make the simple beauty of a once dilapidated city pop. The names of the photographs all come from the streets they were taken on. I paid close attention to the color of buildings and the designs that age has brought the pieces of the buildings (stains, cracks, etc.). These images are intended to bring to light a new appreciation for the color and architecture around us that we do not pay attention to every day.

St. Philip St. f5.6 1/125 sec
Burgundy St. f7.1 1/200sec

Conti St. f4.5 1/80 sec

St. Louis St. f6.3 1/160 sec

St. Peter's St. f6.3 1/160 sec

Decauter St. f5.6 1/125 sec
St. Ann St. f8 1/250 sec 
Chartres St. f9 1/400 sec
Orleans St. f6.3 1/160 sec

Bourbon St. f7.1 1/2000 sec 
 
Dauphine St. f9 1/320 sec 
Royal St. f7.1 1/250 sec 

Monday, March 30, 2015

Post Apocalypse Peer Critique

Garrett McCafferty: I like the plain, bleak color of the sky juxtaposed with the dirty, busy loading docks underneath. I also like the small pop of color on the front of the train, and the way the blur in the background makes it look like the train is moving, even when I know it is standing still.

Jackson Miles: I thoroughly enjoy how the house glowing make it look almost as if a meteor has landed in the field. It is exactly what I would picture in some kind of zombie movie, and I almost have a feeling of fear looking at it, and I usually enjoy any photograph that evokes some kind of emotion within me.

Maria Sahlani: I like how symmetrical this picture is. I like the patterns and the colors that come out in the picture due to the simplicity and light color in the background. It looks like a complicated shot, even though I also see the simplicity within it.

Claire Strobach: I love how colorful this photo is, even though I know this is a photo that resembles a sort of apocalypse. I feel almost as if these canister are weapons or something as a way to begin an apocalypse. The colors juxtapose the feeling it gives me, which makes me think.

Elvis Yang: I like the colors and patterns found and exemplified on the building. I also like how much the sky stands out, and the clouds look three-dimensional in a sense. The angle of the shot adds another dimension to the way the building is viewed. Again the color of the photo juxtaposes the apocalyptic feel the photo gives out.

Wednesday, March 25, 2015

Post Apocalypse - Apocalypse Now

Apocalypse - (n) an event involving destruction or damage on an awesome or catastrophic scale

This portfolio of images examines the items of a man who passed away, all stuffed in an abandoned barn. My photographs show the little items, abandoned together in apocalyptic state within this barn. I paid close attention to the items I was photographing, and my editing to make them look apocalyptic in nature. These images are intended to show beauty in this abandoned barn, no matter how dull the beauty may seem. It opened up a new world post apocalypse of this barn post-man's death.
Free Bird montage

Air Movement montage

Bonfire montage


Take a Seat montage

Final Melody montage

Piped Up montage

Let Some Light In montage

Cracks in the Siding montage

Man in the Mirror montage

Ceiling on the Floor montage

Unscrewed montage

Dawn Before the Dark f 5.6 1/125 sec